PRIDE AND THE WEIMAR REPUBLIC
The Rainbow's Beginning and End
This is a post about the origins of the trans and “gay” movement. It documents some of the unknown horrors of the Weimar republic, showing how its diabolical influence shapes our wicked world today.
It is also the story of a man described as an LGBT pioneer, whose work invites us to see what we can find at the Rainbow’s end.
As we shall see, these movements emerged in a glittering environment of spectacular depravity. To the Rainbow People, this was a golden age.
Today, we are going back to Weimar.
THE READER IS CAUTIONED THAT THIS POST REFERS TO SOME OF THE MOST DISTURBING MATERIAL I HAVE EVER ENCOUNTERED.
CONTENTS
Introduction
Burning the Books
Who was Magnus Hirschfeld?
Weimar and paedophile sex tourism
The burning of “literature”
Somewhere Under the Rainbow - Weimar Returns
BURNING ISSUES
What was in the “books”?
The Institute for Sexual Science
A Homosexual First
THE STRATEGIES OF SIN
“Justice through Science”
Modern Sexual “Science”
An LGBT Pioneer
The Legacy and Legend of Magnus Hirschfeld
A Legendary Institution
The Great Pioneer of the Gay Movement
WEIMAR AND ITS INFLUENCE TODAY
Back to Weimar
Life is a Cabaret
The Child Sex Gangs of Weimar
Sexual Corruption of Children as “Care”
Homage to Weimar
EPILOGUE: Weimar Redux - OR - Normophobic Vengeance
BURNING THE BOOKS
People who present as parodies of the opposite sex celebrate the “trans pioneer” Magnus Hirschfeld.
His books were the ones you saw being burned in those famous images of the Nazis.
They included death porn, sexual mutilation and manuals for a dizzying array of unspeakable degeneracy.
Here is the truck turning up at his Institute for Sexual Science in 1933.
Here is the truck full of his “research material”
Here is the fire on which it was burned.
And here is a piece lamenting the fact this happened.
WHO WAS MAGNUS HIRSCHFELD?
Magnus Hirschfeld founded the first “gay rights” grievance group in 1897. A grievance grifting colossus, he also wrote a book called “Racism” which effectively denounced all white Westerners as racist Nazis, saying that racism was the basis of our culture.
If this sounds oddly familiar, remember to ask why you have never heard of him, and that his was the original work on the ethnic slander of every white man and woman alive. Aside from charging white people with universal race guilt, he also opened the first “trans” clinic.
Hirschfeld performed amateur surgery and sex tourists lodged with him at his Institute for Sexual Science, including the homosexual child rapist Christopher Isherwood.
His memoirs became the musical “Cabaret”, which fondly commemorates a Berlin which Isherwood said was, for him “about boys”.
There were an estimated 300 feral child sex gangs around Weimar Berlin at the time, and manuals were produced to guide people to the bars providing children for sex. And animals.
It goes on. The Current Thing in Weimar was Lustmord - the sexual murder and corpse mutilation of women for erotic gratification. Hirschfeld’s “research” library contained over 1200 images of this, which were tragically committed to the flames in 1933.
Three days after the “book burnings”, the homosexual paedophile sex tourist Christopher Isherwood left Berlin, which “for him, was about boys” .
Isherwood wrote that line about himself, in memoirs which became the popular musical “Cabaret”. Isherwood initially lived at Hirschfeld’s “research” centre, the Institute for Sexual Science.
The account above continues with a loving tribute to Isherwood’s “gay liberation” in Hirschfeld’s Weimar. Here we read how Isherwood would “manipulate” his “teenage lover” who was “probably more interested in women”.
This was “just one of many young men and boys…Christopher paid for sex”.
Isherwood’s homosexual uncle financed his adventures, during which he paid an impoverished working class family rent in order to sodomise their son.
His “frank and factual” memoir, Christopher and His Kind, is a diary of his sexual exploitation of the desperate youth of Weimar Berlin.
Together with his novel, Goodbye to Berlin, Isherwood’s sex diaries were the source material for the notorious Broadway hit Cabaret.
“THE BURNING OF LITERATURE”
This video shows the monument to the “book burnings” which took place on the 10th May 1933 in the Bebelplatz, then the Operplatz, in Berlin.
Against images which clearly show Magnus Hirschfeld’s face, along with his collection of graphically obscene papers, the sombre woman’s voice says
Books were burned which belonged to the classics of German literature.
There are no books being burned in these images.
Yet history tells us that classics of German literature were burned in the Bebelplatz.
It also tells us that history itself is not a hypotenuse leading ever upward to a Rainbow Utopia, which is how the horrific depravity of Weimar is memorialised today.
The obscene material committed to the flames is indeed revered by the German culture industry, and that of the wider Satanic empire which currently rules us.
The reason so few people know the truth about Weimar is simple.
Weimar is the story of how the Rainbow ends.
SOMEWHERE UNDER THE RAINBOW
Practically everyone has seen the pictures of the Nazis burning books. These images are usually invoked to warn of the dangers of censorship by an overweening state.
Recently the United States government colluded with the mainstream press to perform illegal investigation of a 21 year old military reservist, who is alleged to have leaked sensitive secret documents.
The documents reveal much that is embarrassing to the government. That it spies on its allies, that its current war is being lost, that the American people - and those in its Western satellite states - are being lied to over the purpose and conduct of a war which is being deliberately prolonged to destabilise the world’s foremost nuclear power.
The Twitter Files revealed that social media, and giants such as Google, effectively operate as a branch of the US government secret state - controlling information and performing mass surveillance on the populations of the West.
In a 2015 interview it was revealed that the DARPA project to perform mass surveillance on Western populations had not been cancelled. It had been relaunched - as Facebook. David Gage said this. He was the man who created LifeLog for DARPA - the Defense Advanced Research Projects Agency.
The image of the book burnings is one whose emotional charge has increased because it serves to mythologise the West as the bulwark of freedom.
The power of this image is intensified in direct proportion to its contradiction of reality. To invoke the book burnings is to emotionally compensate for the vanishing freedoms of the postliberal West.
It is a falsehood in practice, and its use a testament to the power and purpose of fantasy in the political economy of mass society.
WHAT WAS IN THE “BOOKS”?
The books burned that day were not inspirational works of fiction.
They documented revolting facts. As the communist Morning Star reported in May, 2023
While the directive for burning books was aimed at “left,” democratic, and Jewish literature, the vast majority of the books burned in Bebelplatz, the Square at the State Opera, Berlin, came from the library of Magnus Hirschfeld, the pioneering sexologist and campaigner for sexual equality, and were a public resource dedicated to exploring the diversity of human sexuality in a way that was extraordinarily progressive for its time.
The People’s Commissar of Public Health in the Soviet Union Nikolai Semashko was among many prominent visitors and supporters of Hirschfeld’s research.
As some people are aware, the books being burned in these images belonged to the world’s first transgender clinic. You may not be aware what was depicted in those books, nor of the depraved environment of evil in which they were displayed.
Today you will find out.
THE INSTITUTE FOR SEXUAL SCIENCE
The world’s first transgender clinic was opened in 1919 in Weimar Germany. It was founded by the Berlin doctor Magnus Hirschfeld, who in 1893 was approached by a troubled young soldier whose heritage and disordered sexual behaviour reflected his own.
The young man’s mortal distress was explained by the fact he was to be married in the morning. Reported in a glowing tribute written in 2021, this is the episode which led to the creation of the Institute for Sexual Science in Berlin.
Hirschfeld understood the soldier’s plight—he was himself both homosexual and Jewish—and did his best to comfort his patient.
Despite Hirschfeld’s “comfort”, the man committed suicide the next day. He left Hirschfeld a letter, in which he hoped that Hirschfeld could transform Germany into the kind of place which would celebrate “us”.
It was an appeal which would lead Hirschfeld to found the world’s first transgender clinic 27 years later.
THE FIRST HOMOSEXUALIST FILM
Hirschfeld repeated the claim for the justice - through science - for “us” in his silent film Different From the Others. It was the first known film celebrating homosexual couples, and concluded with the ambivalent appeal to a suicidal homosexual man whose partner in sodomy had taken his life due to blackmail
You have to keep living; live to change the prejudices by which this man has been made one of the countless victims. ... [Y]ou must restore the honor of this man and bring justice to him, and all those who came before him, and all those to come after him. Justice through science!
The film concluded with a parade of historical figures. Just as the Tudors to Netflix were black, to the homosexual Hirschfeld so were the kings and artists of antiquity.
The ideology of identity seeks to capture the past as much as the present. Hirschfeld’s film is an early example of a trope which has turned popular entertainment into precisely this kind of propaganda, which erases the normal and actual culture, replacing it with the fantasies of vengeful fanatics.
JUSTICE THROUGH SCIENCE
Magnus Hirschfeld was described in the New York Times (Oct 15th, 1920) as “the well known expert on sexual science”. This designation is crucial to understanding how the rainbow movement and the transgender culture have been rapidly normalised.
Before he founded his Institute, Hirschfeld co-founded the world’s first Rainbow rights movement.
It was [Hirschfeld’s] work that led to the 1897 foundation of the Wissenschaftlich-humanitäres Komitee (WhK) – the Scientific-Humanitarian Committee, the first LGBTI rights organisation in history.
The motto – “through science to justice” – reflected Hirschfeld’s idea that a better scientific understanding of homosexuality would help end homophobia (it was also engraved on his tombstone, after his passing in 1935).
The adoption of the mantle of science makes for an irresistible progressive appeal, with the practices of a depraved minority being thereby amalgamated with technological advancement.
MODERN SEXUAL “SCIENCE”
This sleight of mind continues today, with suspicion of the widespread celebration of depravity dismissed as backward and outmoded. This is the power of making disagreement “unscientific”.
As the Scientific American said in 2014, anti-trans laws are “anti-science”.
The motto suggests one of the pillars of the posthuman religion - that it is ignorance which leads to “prejudice”. This bigotry is simply the process of accurately noticing and naming what is happening.
The justice this “science” requires is one of blindness - to the commission of unspeakable acts. Further, it compels their celebration.
The posthuman creed holds that all forms of so-called irrational hatred - the hate crime of noticing reality - are due to ignorance. The science which liberates us from the facts is simply propaganda and lies.
Excuses for ugly realities are offered to the population for repetition. Instead of prayer, the sanctity of marriage and the sacraments, and in place of loyalty and duty, we are to repeat the alibis of evil until the wickedness begins to shine.
This is one story of how the light of Lucifer was conjured, which now illuminates the West.
AN LGBT PIONEER
In 1920 Hirschfeld’s institute had been open for one year, and was not merely a clinic for performing the world’s first attempts at male-to-female surgery.
The Institute for Sexual “Science” housed a museum of sex, staged plays, parties, and hosted a comprehensive pornographic library which included hundreds of the most revolting images of sexually fetishised murder.
It was not Hirschfeld’s first endeavour. Hirschfeld was credited in a 2018 article by noted homosexualist Peter Tatchell as an “LGBT pioneer”,
Hirschfeld launched the world’s first gay rights organisation in Berlin.
His Scientific Humanitarian Committee, founded in Germany in 1897, trail-blazed the struggle for homosexual emancipation… its motto was “Justice Through Science”…
A similar movement did not emerge in Britain until the 1960s, over half a century later. He truly was a man ahead of his time.
Tatchell celebrates Hirschfeld as a hero, who prescribed “Lots of gay parties and plenty of boyfriends” to the homosexual men who sought his guidance.
Good fortune shone on Hirschfeld when he was paid a fabulous sum to perform one of the world’s first gender reassignment operations. The payment enabled him to establish the Institute for Sexual Science (ISS) in 1919
Hirschfeld insisted that sexual identity and preference changes over an individual’s lifetime, and calculated that there were over 43 000 sexualities in his 1914 book The Homosexuality of Men and Women. His student, Harry Benjamin, would go on to produce in 1966 The Benjamin Sex Orientation Scale (pictured in part below)
Benjamin later founded an organisation of pro-trans therapists - the Harry Benjamin International Gender Dysphoria Association (HBIGDA). With the capture of medical scientific terminology, redefining mental disorder as a valid identity, this would be renamed in 2007 as the World Professional Association for Transgender Health.
Man made horrors from RuPaul’s Drag Race, 2024
THE LEGACY AND LEGEND OF MAGNUS HIRSCHFELD
Magnus Hirschfeld’s work and life feature frequently in glowing tributes, with one written in Scientific American in 2021.
The author, Brandy Schillace, is the editor in chief of the British Medical Journal’s Medical Humanities Journal, a career which illustrates the degree to which “science” has been subverted by the gender agenda. She writes:
These heartbreaking stories which Hirschfeld wrote in The Sexual History of the World War, “bring before us the whole tragedy [in Germany]; what fatherland did they have, and for what freedom were they fighting?”
The fight for freedom is a common blazon of the progressive faction. Freedom from any moral restraint or tradition - such as that of marriage, or any conception of morality which does not glorify the supremacy of desire.
Brandy Schillace is not a medical doctor, but a historian of medicine.
She has written a book which sanctifies Hirschfeld and his diabolical institute, in which she makes the familiar claim that transphobia and homophobia are anti-semitic.
The forgotten, daring history of the interwar Institute of Sexology in Berlin: trans activists, the first gender affirming surgeries, and the fight for rights against Nazi oppression!
These claims, of course, are never explained. They are statements of a point of doctrine - that disagreement is a form of irrational fear.
To combine all these “irrational fears” into one umbrella prejudice is to say that any criticism of this movement is nothing more than a multifaceted expression of hatred.
In case you wondered why my latest book connects anti-#trans/anti-#LGBTQ sentiment with #antisemitism and Nazi death camps…
The Scientific American published an article in 2021 titled “Why Anti-Trans Laws Are Anti-Science - Bills that restrict access to gender-affirming health care ignore research”
“Research” which began with Magnus Hirschfeld, and which culminates in a lucrative industry of mutilation and sterilisation increasingly aimed at children.
TRANSMISSION VIA TELEVISION
Hirschfeld’s enterprise, which made him rich, is mythologised in an Amazon Prime series. Called TransParent, it seeks to normalise gender swapping parenthood.
The series is described in a 2014 interview with its creator and a notable creative consultant
Meet the Rabbi that helps Jill Soloway blend Jewish themes with trans themes on the ground-breaking Amazon original series "Transparent."
“Transparent” is one of the most popular and critically acclaimed television shows of 2014. It's known for putting Amazon on the map as an outlet for quality original shows and for raising the profile of trans people in pop culture.
But did you know it also has a Rabbi consultant?
In the show, Jeffrey Tambor plays the patriarch of a Jewish family who comes out late in life as trans; changing his name from Mort to Maura he begins to live life as a woman. His three adult children have their own issues with identity, sexuality and spirituality.
With the second series, TransParent reimagines the Institute of Sexual Science of Hirschfeld, in touching sequences crafted to immortalise this pioneering institution.
Transparent renders these traumatic events as a dreamlike sequence that depicts how the serene play of a salon of beautiful queer and transgender people is harshly disrupted by Nazi men who burst through the door and brutally drag away the young people—Gittel included—while the institute director, Hirschfeld, is forced to look on helplessly.
In The Hirschfeld Archives - Violence, Death and Modern Queer Culture the significance of Hirschfeld’s totem is reprised, with the disgust it provoked once more romanticised as the oppression of science and of freedom by senseless thugs.
Magnus Hirschfeld’s Institute of Sexual Science plays a central role in season 2 of Jill Soloway’s Transparent (2015), the Amazon series following the lives of the Pfefferman family from the time the now retired father, Mort, starts living openly as a woman, Maura.
Set mainly in an affluent, predominantly white twenty-first-century Los Angeles, season 2 of Transparent frequently flashes back to life at Hirschfeld’s Berlin institute in 1933.
These backward glances, which are prompted by one Pfefferman daughter’s exploration of her Jewish identity, affectively link Maura’s turmoils to the life of her transgender aunt, Gittel, who had chosen to remain at the institute when the rest of the family left for America.
While the details of what ultimately happened to Gittel never come to light in this season of the series, we last see her alive during the Nazi attack on Hirschfeld’s institute, which took place on Saturday, May 6, 1933, in the cold light of day.
The aesthetic staging of the raid on the institute in the dream-turned-nightmare spaces of trauma and (post) memory is a reminder that modern queer and transgender existence has been forged out of, and against, violence and suffering.
The actual history of “transgender existence” is one of a lucrative industry marketed as liberation, which is aimed at the complete extermination of God and of the family.
It began with the patronage of a wealthy patient, which allowed Hirschfeld to purchase his palatial Berlin headquarters.
A LEGENDARY INSTITUTION
With an extensive directory of German homosexuals, at a time when homosexuality was illegal, Hirschfeld is rumoured to have made money through blackmailing closeted public figures.
He purchased a Berlin villa in early 1919 and opened the Institut für Sexualwissenschaft (the Institute for Sexual Science) on July 6. By 1930 it would perform the first modern gender-affirmation surgeries in the world.
The institute would ultimately house an immense library on sexuality, gathered over many years and including rare books and diagrams and protocols for male-to-female (MTF) surgical transition. In addition to psychiatrists for therapy, he had hired Ludwig Levy-Lenz, a gynaecologist.
Together, with surgeon Erwin Gohrbandt, they performed male-to-female surgery called Genitalumwandlung—literally, “transformation of genitals.” This occurred in stages: castration, penectomy and vaginoplasty. (The institute treated only trans women at this time; female-to-male phalloplasty would not be practiced until the late 1940s.) Patients would also be prescribed hormone therapy, allowing them to grow natural breasts and softer features.
We have yet to see the end of the Rainbow Movement, but its beginning has been heavily mythologised.
Considered by many to have its origins in the violent protests to defend the Stonewall Tavern from closure, it was not in these riots to defend the rights of men to sodomise boys that the rainbow movement was born.
THE GREAT PIONEER OF THE GAY MOVEMENT
Ralf Dose wrote in his Magnus Hirschfeld: The Origins of the Gay Liberation Movement that
Magnus Hirschfeld (1868-1935) was one of the first great pioneers of the gay liberation movement. Revered by such gay icons as Christopher Isherwood and Harry Hay, founder of the Mattachine Society, Hirschfeld’s legacy resonates throughout the twentieth-century and around the world.
Hirschfeld’s achievements also include the promotion of the murder of the unborn, as he was
…also an early champion of women’s rights, campaigning in the early 1900s for the decriminalization of abortion
Ralf Dose is himself a Jewish homosexual, and a communist.
His book has been generously reviewed by another - David Fernbach, whose parents left Weimar Berlin for America.
Fernbach is the author of The Spiral Path: A Gay Contribution to Human Survival as well as translator of Towards a Gay Communism and founder of the Gay Men’s Press. He agrees with Dose’s description of Magnus Hirschfeld.
The pioneer of the modern homosexual rights movement, physician and biologist Magnus Hirschfeld based his campaign on science: he sought constantly to prove that gayness was an inborn natural anomaly—a “third sex.”
This controversial theory divided the movement and was rejected by those who saw themselves as “regular men.”
A hundred years later, however, it is Hirschfeld’s idea of an innate gay minority that has facilitated the integration of homosexuality into the globalized capitalist order. Ralf Dose’s very readable short biography provides twenty-first century readers with the essential life and times of this charismatic figure.
Magnus Hirschfeld’s Institute for Sexual Science began and ended with the Weimar Republic. His legacy is intertwined with the period, his influence and work subsumed into the many breathless eulogies dedicated to a time and place so utterly depraved as to render contemporary mores tame by comparison.
BACK TO WEIMAR
The sale of desperate children for sex was common in Weimar, whether negotiated by their parents, or by homeless children themselves.
Ernst Haffner’s 1932 novel Blood Brothers: Youth on the Road to Berlin documents how the feral, destitute boys of Berlin were preyed upon by rich sexual degenerates.
The New York Times published a guide to Isherwood’s Berlin, for the use of those wishing to trace the footsteps of a pioneering paedophile
In “Christopher and His Kind,” Isherwood drolly described Berlin’s “dens of pseudo-vice”: “Here, screaming boys in drag and monocled, Eton-cropped girls in dinner-jackets play-acted the high jinks of Sodom and Gomorrah, horrifying the onlookers and reassuring them that Berlin was still the most decadent city in Europe.”
The relationship between the open sale of children and animals for sex in the capital city and the rise of Hitler is never discussed. In fact, as we shall see later, any connection whatsoever is denied outright.
Christopher Isherwood talked about his experiences living at the institute in the early 30s (in “Christopher and His Kind”): he mentions Hirschfeld's pioneering activism
The world’s first transgender clinic functioned like a bookend in time for the Weimar Republic. Founded in 1919 by Hirschfeld, it was forcibly closed in 1933, its library removed and burned. For 34 years it was a place of pilgrimage for adventurous sexual perverts, such as the pederasts of English letters.
LIFE IS A CABARET
The British homosexual sex tourists Stephen Spender, WH Auden and Christopher Isherwood travelled to Berlin in the Weimar period.
Christopher Isherwood briefly lived at Hirschfeld’s Institute, and described his visit there as being
“brought face to face with his tribe”
Isherwood wrote a book - Goodbye to Berlin in which he fondly recorded his sodomitic debauchery.
This book was later adapted into the well known musical Cabaret - which glorifies the Weimar period. The musical does much to reflect the fondness inspired by Weimar Berlin in these homosexual men.
Yet it never explains precisely why Isherwood and his friends loved it so. Fortunately, Isherwood tells us himself in his autobiography.
To Christopher, Berlin was about boys
He said, writing of himself in retrospect. Is this a merely innocent reference to epicene young men?
No. It means boys, and the attraction of Berlin to Christopher and his tribe is intensified by the proliferation of child prostitutes at the time.
Stefan Zweig is amongst others who documented the sale of children to sexual tourists.
Bars, amusement parks, honky-tonks sprang up like mushrooms. Along the entire Kurfürstendamm powdered and rouged men sauntered and they were not all professionals; every high school boy wanted to earn some money and in the dimly lit bars one might see government officials and men of the world of finance tenderly courting drunken sailors without any shame.
Even the Rome of Suetonius had never known such orgies as the pervert balls of Berlin, where hundreds of men costumed as women and hundreds of women as men danced under the benevolent eyes of the police.
In the collapse of all values a kind of madness gained hold. Young girls bragged proudly of their perversion; to be sixteen and still under suspicion of virginity would have been a disgrace…
In his Voluptuous Panic, the late Mel Gordon lovingly immortalised his paradise - a Berlin in which
10-year-old children turned tricks in the railway stations. A group of 14-year-old Russian girls, refugees from the Red Terror in Stalin’s Communist slaughter house, managed to make a lucrative living in Berlin as dominatrices.
Little girls were freely available for sex not only in child brothels and pharmacies but could be ordered by telephone and delivered to clients by taxi, like takeaway meals. Particularly bizarre were mother-and-daughter teams offering their services to the same client simultaneously.
“One French journalist, Jean Galtier-Boissière, described, in sickly pornographic detail, the creeping horror of feeling a nine-year-old girl’s tiny, but proficient, fingers stroking his upper thigh while the broken-toothed mother covered his face with hot sucking kisses.”
The Italian journalist Luigi Barzini reported in his book, The Europeans
I saw pimps offering anything to anybody: little boys, little girls, robust young men, libidinous women, animals. The story went the rounds that a male goose whose neck you cut at just the right ecstatic moment would give you the most delicious frisson of all—as it allowed you to enjoy sodomy, bestiality, homosexuality, necrophilia and sadism at one stroke. Gastronomy too, as one could eat the goose afterwards.
THE CHILD SEX GANGS OF WEIMAR
Yet even these revolting memoirs do not mention the existence of hundreds of feral child sex gangs living in the woods around Berlin.
They were known as “wild gangs” or “wild guilds,” and in the late days of the Weimar Republic and into the early Nazi period, there were some six hundred of these gangs roaming the city’s woodlands— largely made up of 14-to-18-year-old boys, most of them gay, dedicated to a life of sexual freedom, criminal enterprise, and fresh forest air.
The reader is cautioned that the following paragraph contains graphic descriptions of sexual depravity.
The mainstays of wild gang culture were sex and violence, often combined. To become a full-fledged member, one had to go under a “baptism.”
Fistfights and knife fights would kick things off, followed by acts of sado-sexual exhibition such as timed masturbation, gang rape, and coprophagy.
Newcomers were often bound, smeared with piss and shit, then tied to trees and penetrated with homemade dildos carved from tree limbs.
Afterward, the whole gang, initiates and veterans alike, would celebrate with a drunken orgy. As for the more routine acts of sexual congress among the already inducted, these always occurred on the hallowed Stoßsofa, or “f****ng couch.”
These gangs were documented by a French anarchist and progressive, whose explanation of their behaviour concluded in a familiar trope.
Fournier, with a sympathetic social reformer’s understanding, saw these lurid and brutal customs as the product of desperate coping mechanisms in the face of trauma and abuse.
SEXUAL CORRUPTION OF CHILDREN AS “CARE”
The sexual behaviour of these children is explained as means of self care - for the sexual abuse which caused it.
I have included this as the earliest example I have found of the framing of sexual extremism in children as self care - for a harm resulting from their sexual treatment by predatory adults.
This is the template used today to argue for the “rights of trans kids”, and to defend “queer joy for all ages”.
It is the rapist speaking for the right of the victim - to be raped.
“In order to avoid depression and suicide,” Fournier wrote, “these gravely mistreated boys and girls create their own fantasy world as a compensation for the deprived existence they are forced to lead.
It is a world with different norms, full of infantile and uninhibited drives, a world of hatred against the society that left them alone in pain and anguish.”
This time between the wars has become a sort of fantasy republic of progressive liberty, brutally crushed by the evil to come.
HOMAGE TO WEIMAR
The Weimar Republic is immortalised by contemporary degenerates as the pinnacle of liberation - a fantasy world of unlimited degradation.
To the mainstream media, Weimar is a stolen paradise, a playground of desire snuffed out by the brutal Nazis.
Weimar has its own mythos, with a taxonomy of its staggering array of perversions catalogued lovingly in the late Mel Gordon’s book - Voluptuous Panic - the Erotic World of Weimar Berlin.
Reviewed in the year 2000 by Salon magazine, this compendium of perversion is touted as means of transporting oneself to this progressive paradise.
Now with Mel Gordon's new tome, "Voluptuous Panic: The Erotic World of Weimar Berlin," connoisseurs of carnal excess have the next best thing to a time machine with which to visit that era of blissfully morbid hedonism.
Mel Gordon believed his documenting of the extreme sexual degradation of Weimar Berlin functioned as an argument against the idea of backlash. Inspired by his Jewish Communist parents, he built a career on lecturing in degenerate art as a medium of revolution. Speaking in a lecture he gave on the Jewish painter Marc Chagall, he said
“Chagall took the most crazy, obscene and scatalogical of shtetl folk - and began to glorify them as our new revolutionary culture”
Here he is, on video, explaining Jewish humour in front of a portrait of Satan.
Mel Gordon wrote a play about Hirschfeld, which was predictably obscene. His work appears to be a form of cultural vengeance, rather like the sadistic perversions it celebrates. He also featured in a documentary on Weimar Berlin, part one in a series on “Legendary Sin Cities”, produced in 2005.
Bizarrely, Mel Gordon considered this catalogue of depravity not only an argument, but one which “disproves” the notion that normal people would find his pleasures revolting.
"It was important to me to disprove this idea that decadence leads to fascism," he continues.
"It's a very puritanical American equation, that if you have a good time there's some awful aftermath. But it's factually and historically not true. At the time, no one made the connection, and no historian has shown this to be the case."
His book is based on his own vast collection of degenerate memorabilia, and was funded in part by the Goethe Institut - the German government-funded project to “foster knowledge about Germany by providing information on German culture, society and politics.”
The Goethe Institut went on to sponsor his exhibition - or recreation - of Hirschfeld’s museum bordello
Gordon says his massive, wallet-busting collection began as part of a job assignment from the Goethe Institute, a program supported by the German government to promote German language and culture.
His 800 page volume contains the most precise descriptions of the contents of Hirschfeld’s Institute - and the library which would be burned.
The Institute was not only a place for the practice of genital mutilation, but a meeting place, museum and cultural centre for a community of sexual extremists.
The second building houses several outpatient clinics and a large lecture hall. Here counseling for venereal disease, birth control, marriage difficulties, frigidity, impotence, and gender exploration is conducted. The Institute's records and scientific library (which includes Europe's largest collection of graphic and literary pornography) is held in a smaller courtyard unit.
Entertainment: The Museum is open to the public and contains thousands of erotic artifacts and pictorial materials, categorized according to Hirschfeld's unique sexual taxonomy.
The masturbation machines and mechanical sexual aids from everywhere, including Oceania and Southeast Africa, are a public favorite.
Also of special interest are the 1,200 fantasy drawings by convicted Lustmord prisoners and 8,000 selected photographs and cherished items from the collections of Berlin foot and hand fetishists.
“Lustmord” is a term meaning the sexual fetishisation of murder. The commission of this type of homicide usually involves mutilation of the sexual organs.
Hirschfeld, like Gordon - and all sexual progressives - believed that sexual behaviour could be attached to any practice, and that these were all equally legitimate expressions of the dedication to “love and sorrow” - the motto carved over the entrance to the Institute.
Sex manuals and magazines, scientific literature, traditional aphrodisiacs from Asia and Africa, and erotic stimulants, which were developed in the Institute, are sold at the Museum counter.
Many of the Institute's employees fall into Hirschfeld's "transitional" spectrum of "not male/not female" categories. "Female" and "male" hermaphrodites, transvestites, transsexuals, and other Intergrades cook the meals and assist with the Museum activities and demonstrations.
The German government now commemorates Hirschfeld with a state sponsored “Magnus Hirschfeld Day” on May 14th.
The German government’s relationship to the queer community is so fond that it placed homeless boys with known homosexual paedophiles in the 1970s.
Its government has recently downgraded the offence of the possession of child pornography, a move celebrated by paedophiles as a step towards decriminalisation, and the renormalisation of their unspeakable depravity in German society.
EPILOGUE: WEIMAR REDUX
“It’s Not Happening (And It’s A Good Thing That It Is)”
This is a helpful slogan to explain the doublespeak of the normophobes who are bringing back Weimar with a vengeance.
Those who seek to destroy normal life take pains to remind us that they are doing no such thing, whilst gleefully celebrating doing the very same.
In a piece from February 2023, written by Nathaniel Flakin, demonstrates the principle of denial and celebration which has become a mainstay of left- and progressive narrative capture. He concludes his article The Institute for Sexual Science: Berlin’s forgotten centre for trans activism with the telling admission
Remembering this long history is important when confronting homo- and transphobia today.
When people spread conspiracy theories about trans people being part of a nefarious plot by “cultural Marxists” to destroy civilisation, it’s kind of ridiculous.
But there might be a kernel of truth: both queers and communists seek to overturn patriarchal capitalist hierarchies and create a society where everyone is free and equal.
According to him, this is both happening and it is not. Flakin, a Jewish communist, did not invent this rhetorical device. It is widely used to silence the kind of misguided conservative who believes in the Liberal idea of argument.
This reduces to the belief that if the facts, logic and evidence are marshalled with sufficient intellectual panache the opposition will be defeated, and the conservative will win the day.
In fact, they face a revolution which aims directly at the cancellation of the entirety of Christian culture.
As Flakin concludes, in his homage to the Bolshevism of Lev Davidovitch Bronstein (“Leon Trotsky”),
[Magnus Hirschfeld’s] villa in Tiergarten is a reminder of how intertwined these two liberation movements were and still are.
Communists of the 1920s were not just the avant garde in politics, but also painting, music and sexuality.
It was the Stalinist counterrevolution that cut off all that emancipatory potential.
A REVOLUTION OF REVENGE
There is no “winning the argument” with people who are determined to win - regardless of argument.
The capture of civilisation by depraved fantasists is not the result of an argument.
The actions of a spectrum of groups, each devoted to the establishment of its own fantasies over reality, can be described under the portmanteau of a posthuman cult.
Technology, desire, personal fantasy, an insistence on the primacy of personal belief, and a fierce attachment to the values of moral inversion typify this syncretic system.
It is avowedly Godless, celebrating its preposterous fantasies of a machine enabled emancipation. Already, the cult of “technianity” makes bold promises of immortality.
In fact, the patterning of mankind upon his machines does not magnify but annihilate. It is an attempt to supplant the God with technology, to replace the real with the artificial.
Such a scheme can only seem feasible to people incapable of imagining God as anything more than a gift-dispensing gimmick. The grand promises of the technological fantasists are built on the armature of arcade machines - a coin operated shot at grabbing the goodies, all for myself. At base, and it is base, the posthuman condition promises absolute power - as it reduces mankind to a mass produced product.
Anti-culture, determined to manufacture its own “truth”, it includes the power fantasies of a technocratic and globalist elite, along with the psychosexual movement in its entirety. It seeks alternative explanations to the obvious in matters of urban, national, and international chaos, replacing the national interest with policies which traumatise the population.
To the posthuman cult the objective is to take vengeance upon reality itself, which is hated due to reality being a theocracy.
Perhaps the most sincere rebellion in this sense is to recreate oneself, becoming a living insult to God by means of imagination, costume and expensive medical technology.
Everything good, beautiful and true is an indication of God. The magnificence of the art of the Renaissance, the majesty of the sacred music of Mozart and of Palestrina, and the luminous Scholasticism of the Angelic Doctor St Thomas Aquinas have no equal.
The natural world in its splendour, and every human attempt at perfection inspired by it, suggest the majesty of the Lord as the ultimate reality towards Whose face everything fine in life compels us to turn.
In the wicked, this fact inspires a vocation - to a vicious and spiteful hatred of everything outside themselves.
The tremendous ruin of progressive social change has not been occasioned by argument. It is not the result of a superior and agreed upon point of view. What we inhabit is a culture in the process of wholesale demolition, its destruction ardently desired by several factions of vengeance.
In the following parts on my series on the trans cult, I examined the posthuman dimension of the transgender cult, and how the techno-medical industry combined with powerful donors to promote a posthuman future.
You can find these under the “Transgender Culture” tab.
This post and those in the series took months to research and write. I make this freely available because this information is not presented elsewhere.
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Once you know these things it allows you to harden yourself . Come to terms with what is necessary , make peace with it , because it is coming .
At the commencement of the degenerate and wicked perversion of the holy month of June, it is useful to stare into the abyss and be reminded of just how monstrous the people orchestrating and participating in the movement really are.